The Earth has deadline, and we are rapidly approaching it
Change is possible. That is the great message of the Days of Awe.
By SARAH BRACHA GERSHUNY, RAE ABILEAHON ROSH HASHANAH, the iconic Metronome clock in New York City was repurposed as an 80-foot-wide climate clock that shows our remaining time to take urgent action on climate change.(photo credit: BEN WOLF)
As the liturgy of the Days of Awe reminds us, “Teach us to number our days, thus we become wise of heart” (Psalms 90:12). The Climate Clock launched this week in Manhattan intends to do just that: Teach us to number our days.On Rosh Hashanah the iconic Metronome clock in Union Square was repurposed as a giant climate clock, an 80-foot-wide digital display that keeps track of our remaining time in which to take urgent action on climate change. As East Coast Jews turned to pray the afternoon Mincha service at 3:20 p.m., the message “The Earth has a deadline” appeared on the display, followed by the numbers 7:103:15:40:07, representing the years, days, hours, minutes and seconds until that deadline.What is the nature of a deadline? It focuses attention, it forces priorities, and it calls action to the fore. Any accounting of time helps us recognize it as a finite resource, and a valuable one. Add to that the pressing sense of mortality that both the Climate Clock and the Days of Awe transmit, and we might truly, as the psalmist says, be able to cultivate some wisdom: Our time is limited, we are vulnerable, what we do now matters.Even those who have not set foot in a synagogue for decades probably remember those chilling lines read only on Rosh Hashanah and Yom Kippur, that in this season it is decreed who shall live and who shall die, who by fire and who by flood.With fires raging across the West Coast, five hurricanes churning in the Gulf, sea levels rising, drought impacting food supplies – to name but a few current climate-related catastrophes – the clock communicates a clear message: We literally have no time to waste. If we want to survive we have to change our ways not just on a personal but on a collective level, rethinking our entire approach to energy production, mobility and consumption.Change is possible. That is the other great message of the Days of Awe. In order to change we must focus on three axes: teshuva (repentance), shifting how we feel and think about things; tefila (prayer), improving how we speak; and tzedaka (charity), altering what we do. Together, we remind each other every year at this season that these have the power to “rewrite the evil of the decree.” An under-regulated extraction and a mentality of consumption have certainly decreed evil consequences for our biosphere and the human species.Perhaps counter-intuitively given the urgency of the moment, the first step is actually teshuva: changing how we relate to things internally.The Climate Clock is a powerful piece precisely because it communicates to us that we still have time. We still have time to make a difference in how the future will play out. The Climate Clock helps us do teshuva, changing how we feel and frame and relate to things internally, precisely because it challenges the thought-forms of hopelessness, alienation and despair. The massive Climate Clock in the middle of Manhattan helps remind us we’re not powerless. It shows us visually that it is NOT too late.Thus this new monumental clock, launched on the “birthday of the world” could, in fact, help prevent the death of the world.Just as the shofar is blown on Rosh Hashanah to announce that Yom Kippur, the day of reckoning, is just 10 days away, the Climate Clock is alerting us to a global countdown. If we continue at our current rate of emissions, scientists are telling us, in seven years we will lock in 1.5°C (2.7°F) of warming, with a cascade of catastrophic impacts on humanity and the planet.
While the clock is a monument, it’s also a movement. It’s not just to keep other people accountable, such as CEOs of big oil companies and elected officials, it’s primarily to keep ourselves accountable. On Yom Kippur we ask, “Who has not sinned amongst us?” We have all sinned. We are all responsible. We like to look away from our responsibilities. This is a way to keep ourselves responsible, to recognize the reality of the fierceness of the challenge.THE SHOFAR is a sound of rupture and a rallying cry. It is also a signal of freedom, for it is the shofar that is blown on Yom Kippur every 50 years to announce the Yovel, the Jubilee, a time of freedom, release from debt and redemption. The Jubilee is the big reset button for society.While we blow the shofar every day from the start of the month of Elul through Rosh Hashanah, we actually do not blow the shofar between Rosh Hashanah and Yom Kippur, even though what we are building up to is the final “Tekiah Gedolah!” shofar blast as Yom Kippur culminates. This is our annual miniature Jubilee, our cyclical reset and release of karmic debts.Right now there is an eerie silence, the quiet of the countdown, knowing something big is going to happen at zero. Will zero be ground zero, like the midnight of the Doomsday Clock? Or will zero be a Jubilee, a grand refashioning, a “Great Turning,” a collective liberation?Like the biblical Jonah, Climate Clock co-creators Gan Golan and Andrew Boyd describe themselves as “reluctant prophets,” both deeply influenced by their Jewish family roots. Boyd says he was compelled by a moral imperative, “Try to save the world, though you are not expected to succeed at it,” alluding to Pirkei Avot 2:21. For Boyd, the project is a form of tochecha, a sacred rebuke.“People are relieved that someone is putting the number out there so starkly. It’s as if they’re saying, ‘Ouch! But thank you!’ It’s a very harsh deadline. But what a gift, strangely, to know it than to not know it.”For Golan, creating this larger-than-life stopwatch and acting in time is personal.“Our daughter, Naya, was born just one week before the IPCC released that devastating report on how little remaining time we had left to make progress on climate change before the catastrophic effects became irreversible. I had already been an in-the-trenches climate activist for years, but this grounded my perspective in a wholly different way. What we did in the next few years would determine the world my daughter would live in, that all of us would live in, and I felt that timeline needed to be understood by everyone, everywhere.”Golan’s words echo against the theme that permeates the scriptural readings for Rosh Hashanah: that of longing for children, and wishing for our children to outlive us. From Hagar to Sarah to Hannah to Rachel, who weeps for her lost children and will not be comforted, this ancient human concern ripples through our collective consciousness.In ancient times, Jews would light fires from hilltop to hilltop, to signal the coming of major holidays and new months. In our day, while smoke signals heralding climate chaos may abound, Golan and Boyd are hoping that this New York City clock, installed during the United Nations General Assembly meetings on climate change, will be the first of many displayed in cities across the world, helping to synchronize us to global action on a shared global timeline. Amid the potential “distractions” of a pandemic and a heated election season, syncing up on the urgency of climate action is imperative.It’s oddly appropriate that the Climate Clock re-purposes the “Metronome” installation created in 1999. Like a metronome, its consistent tick, tick, tick slices and dices time, reminding us as in Psalm 90 that every moment counts. What we do with each day matters. Every fraction of a degree matters. Every little bit of warming that we can prevent could mean millions of human lives saved, and a lifeline for thousands of species otherwise doomed to extinction. Our planet has a deadline. But we can turn it into a lifeline.Sarah Bracha Gershuny is a writer, ritualist, musician and teacher on a mission to transform human consciousness through direct spiritual transmission and fierce joy. @JewCPriestess.Rae Abileah is a movement strategist, author and consultant for collective liberation. She’s the co-creator of the global Climate Ribbon art ritual, contributing editor & trainer at Beautiful Trouble and former co-director of Code Pink.
