The exhibiting artists include some who were taken hostage or murdered in October, as well as residents of southern Israel, who along with their families experienced the loss, destruction, and pain.
Set in a stylized stage depiction of the past century, when people typed letters, played records, and called travel agents via landlines, is what makes this production an outstanding achievement.
Walking through the exhibition titled “Splinter from the Storm,” one can see the parallels and the contrasts of the Land of Israel thousands of years ago with that of today.
The three performances, being held over four nights of theater magic, were produced by the youngsters during an intense seven-week process.
There is often a significant thought-provoking subtext to Rothbart’s body of work, which has stretched this way and that in terms of theme, style, and discipline over the past three-plus decades.
JPOST Digital Library
